Masquerade-Symphony X

Coming from Symphony X's neo-classical roots, "Masquerade" paints a picture of blurry motion, as of specters and ghosts. There is something about the band's first, self-titled album that feels artificially amateur, as if they chose, for artistic purposes, not to use the best recording equipment. "Masquerade", however, has aged well since its release in '94, being rereleased in 2002 with Russel Allen on the vocals. I love both versions, but the original sticks with me in a way that only the things of nostalgia can.